a5c7b9f00b Abducted on a rainy night in 1988, the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason. There, his invisible and pitiless captors will feed him, clothe him and sedate him to avoid committing suicide, andhis only companion and a window to the world is the TV in his stark cell, the only thing that helps Oh Dae-Su keep going is his daily journal. But then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution. Nevertheless, who would hate Oh Dae-Su so much he would deny him of a quick and clean death?
An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor.
Normally i am very careful, when it comes to topics like this. But Oldboy just blew me away. I have seen many movies over the years but still, the quality of this one has not been reached by any of them. Oldboy really makes the most of every of it's aspects. Cinematography, editing, performances, character writing or just the brilliant twisted story are absolutly unique. By the way, the thematics and symbolisms of this movie are also highly recommended to any hobby-philosophers. The way how Chan-Wook Park handled the back story of the movie's antagonist, is not only relatable, but also kind of daring. You see his point, although you do not agree with his actions. Oh Dae Sue on the other hand, is a great protagonist. He's got a simple motivation, and is marked by 20 years of isolation, but also possesses some emotional spots and is more vulnerable than ever. The movie has a message and doesn't only rely on it's astounding directing. There a many visual metaphors and it touches on many social-critically questions. I am sure, everyone will get something out of it's story. Simply a perfect movie.
I think not only does this movie face vengeance and truth but also forgiveness which was not the route that was taken. If da sue wasn't so wrapped up in revenge he would have remembered what was really important…. The fact that he still had a daughter out there! In the beginning after mido goes and finds out the information about da sues daughter she says to him aren't you going to find her . Here he makes a choice ….at this point in time revenge and truth is more important than family. But if he had researched and tried to find his daughter first then he'd find out it was bull and uncover mido is his daughter.<br/><br/>Then jin would have failed but then again i guess thats the point of having da sue confined for 15 years because after so long in solitude we stop thinking like human beings and become beasts. Things that were once important get put on hold. Da sue had turned into a beast consumed only with one thing.<br/><br/>it is also possible that on his journey to find his daughter he could have still fallen for and had sex with mido so……..yea :) but I'm approaching an optimistic angle. So lesson here revenge isn't everything or at least shouldn't b top priority
Whatever its oversteps and excesses (I do think Park ran a little amok with the computer gimcrackery), Oldboy has the bulldozing nerve and full-blooded passion of a classic.
Oldboy is based loosely on a Japanese manga Old Boy, written by Nobuaki Minegishi and Garon Tsuchiya. Oldboy, the film, is the second installment of The Vengeance Trilogy, preceded by Sympathy for Mr. Vengeance and followed by Sympathy for Lady Vengeance. No, the ending is totally different. There are new characters involved, and the ultimate cause for Wojin's revenge is not the samein the movie.
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